The Broad
Los Angeles, CA
The Broad is a new contemporary art museum founded by philanthropists Eli and Edythe Broad on Grand Avenue in downtown Los Angeles which opened in September of 2015. The museum offers free general admission. The museum is home to the 2,000 works of art in the Broad collection, which is among the most prominent holdings of postwar and contemporary art worldwide, and has launched an active program of rotating temporary exhibitions and innovative audience engagement. The 120,000-square-foot building features two floors of gallery space and is the headquarters of The Broad Art Foundation’s worldwide lending library, which has actively loaned collection works to museums around the world since 1984. In its inaugural year, The Broad attracted triple the number of its projected visitors, and since opening, has welcomed more than 1.7 million visitors. Eli and Edythe Broad also built a 24,000-square-foot public plaza, added streetscape improvements and enhanced pedestrian access on and around The Broad along Grand Avenue.
THE VEIL AND THE VAULT
Dubbed “the veil and the vault,” the museum’s design merges the two key programs of the building: public exhibition space and the storage that supports The Broad Art Foundation’s extensive lending activities. Rather than relegate the storage to secondary status, “the vault” plays a key role in shaping the museum experience from entry to exit. Its heavy opaque mass is always in view, hovering midway in the building. Its carved underside shapes the lobby below and public circulation routes. Its top surface is the floor of the third-floor galleries. The vault is enveloped by the “veil,” a porous, honeycomb-like exterior structure that spans across the block-long third-floor gallery and provides filtered natural daylight. The museum’s “veil” lifts at the corners, welcoming visitors into an active lobby and shop. The public is then drawn upwards via escalator, tunneling through the vault, arriving onto nearly an acre of column-free gallery space bathed in filtered light. The gallery has 23-foot-high ceilings, and the roof is supported by 7-foot-deep steel girders. Visitors exit the third floor via a winding central stair through the vault that offers glimpses into the vast holdings of the collection.
SUSTAINABILITY
The Broad received LEED Gold certification. With its electric car charging stations, bike parking spaces, rooftop drains routed to street level gardens that filter runoff, high-efficiency plumbing fixtures that help reduce water use by 40 percent, and its easy access to public transit including adjacency to the new Metro Regional Connector station at the corner of 2nd and Hope Streets (anticipated opening: 2020), The Broad aims to be in the top tier of eco-conscious and efficient museums.
DIVERSE VISITORSHIP
The Broad’s visitors reflected unprecedented diversity for an art museum, attracting a dramatically younger, more ethnically diverse audience than the national average – exceeding the client’s expectations. The Broad’s visitors reflect the diversity of Southern California and the dynamism of contemporary art. The average age of visitors is 33, compared to the national art museum average age of 45, and the percentage of ethnically diverse visitors is nearly three times the average of other art museums around the country. The Broad also continues to attract a large family audience with nearly 80 percent of visitors saying they had very little or a modest knowledge of contemporary art.
URBAN IMPACT
Since The Broad opened, the urban experience along Grand Avenue has flourished. Pedestrian traffic has visibly increased, and street life has expanded exponentially with food trucks and street musicians appearing daily and restaurants in the area extending their hours. This has been a great benefit to the local community situated around the museum. The museum generated more than $54 million in economic benefit to Los Angeles County, creating 490 jobs with labor income of $24 million. The museum also generated $8.2 million in local, state and federal tax revenue, according to a study by the Los Angeles Economic Development Corporation.
The Broad is LEED Gold certified.
Project information
- Size (GSF)
- 115,000
- Location
- Los Angeles, California, United States
- Commission
- 2011
- Opening
- 09/20/2015
- DS+R role
- Design Architect
- Program
- Archive, Conference Room, Exhibition Gallery, Gift Shop, Office
- Keywords
- Building, Circulation, Culture, Curatorial Editorial, Display, Fine Art, Hybrid, Interdisciplinary, Media, Museum, Photography, Programming, Public, Realized, Site Specific, Social, Sustainability, Technology, Urban, White Wall
- Fun fact
- 35,000 sf column-free exhibition space
| Partners | Elizabeth Diller, Ricardo Scofidio, and Charles Renfro |
|---|---|
| Project Director | Kevin Rice |
| Project Leaders | Andrea Schelly, Michael Hundsnurscher, and Matt Ostrow |
| Designers | Benjamin Gilmartin, Robert Condon, Zachary Cooley, Daniel Sakai, Ryan Botts, John Chow, Anne-Rachel Schiffmann, William Ngo, Charles Curran, Andreas Kostopoulos, and Nkiru Mokwe |
| Competition Team | Robert Donnelly, Matthew Johnson, Quang Truong, Kumar Atre, Oskar Arnorsson, Gerardo Ciprian, Chris Hillyard, and Darina Zlateva |
| Gensler | Executive Architect |
|---|---|
| Nabih Youssef & Associates | Structural Engineer |
| LERA Consulting Structural Engineers | Structural Engineer |
| ARUP | Mechanical, Electrical, Plumbing, Fire, Life-Safety and Gallery Lighting Engineers |
| Tillotson Design Associates | Lighting Design |
| 2x4 | Graphic Design |
| Solomon + Bauer | Collection Storage |
| Adamson Associates | Executive Architect - Plaza and Streetscape |
| Hood Design | Landscape Architect |
| Saiful / Bouquet Structural Engineers | Structural - Plaza and Streetscape |
| MATT Construction | Construction |
| KPFF Consulting Engineers | Civil Engineer |
| Lerch Bates | Vertical Transportation |
| Ducibella Venter + Santore | Security |
| Simpson Gumpertz & Heger | Waterproofing |
| Crain & Associates | Traffic Engineers |
Press
- Los Angeles Times Look up: The 32 Most Spectacular Ceilings in Los Angeles(opens the publisher’s site in a new tab)
- Dezeen The Broad “doesn’t feel like a traditional museum” Says Elizabeth Diller(opens the publisher’s site in a new tab)
- Rethinking the Future 10 Best facades in the world(opens the publisher’s site in a new tab)
- The Broad In Conversation: Clarissa Tossin + Elizabeth Diller + Joanne Heyler(opens the publisher’s site in a new tab)
- The Broad Light and Space: A Film in 4K (opens the publisher’s site in a new tab)
- Baunetz Liz Diller / The Broad(opens the publisher’s site in a new tab)
- DS+R The Broad Receives 2018 AIA Architecture Award
- Detail Report: The Broad in Los Angeles – Streamlined Facades for a Slower-Paced City(opens the publisher’s site in a new tab)
- Los Angeles Times She’ll Take The Broad for $1,000: How the Art Museum Became a Category on ‘Jeopardy’(opens the publisher’s site in a new tab)
- Le Point Architecture, the Latest Craze in Los Angeles (opens the publisher’s site in a new tab)
- ARTForum The Broad Museum and Urban Development in Los Angeles (opens the publisher’s site in a new tab)
- Artforum Bright Lights Big City (opens the publisher’s site in a new tab)
Show 23 more articles
- Independent The Broad Museum: Los Angeles Has a New Powerhouse of Art (opens the publisher’s site in a new tab)
- The New Yorker Going Downtown (opens the publisher’s site in a new tab)
- Architectural Record L.A. Screenplay: An Art Museum Lifts its Perforated Veil, Revealing the Repository for its Vast Holdings (opens the publisher’s site in a new tab)
- Telegraph The Broader Picture: Inside the $140m Gallery (opens the publisher’s site in a new tab)
- KCRW Broad Architect Liz Diller Brings Theatrics to Grand Ave., While Losing Her Irony About LA (opens the publisher’s site in a new tab)
- Vanity Fair The Broad Is L.A.’s Latest Paradox (opens the publisher’s site in a new tab)
- Financial Times The Broad Museum: A Very LA Kind of Building (opens the publisher’s site in a new tab)
- The Guardian The Broad Review – Supersized Cheese Grater Hits LA (opens the publisher’s site in a new tab)
- Wallpaper* Unveiled: The Broad Art Museum by Diller Scofidio + Renfro Opens (opens the publisher’s site in a new tab)
- Wall Street Journal The Architecture of The Broad: A Building of Bravado (opens the publisher’s site in a new tab)
- Los Angeles Magazine The Broad Museum Makes a Bold Statement on Grand Avenue (opens the publisher’s site in a new tab)
- Los Angeles Times Elizabeth Diller’s Designs on the Broad Draw from Architect’s Avant-Garde Eye (opens the publisher’s site in a new tab)
- New York Times Review: The Broad Is an Old-Fashioned Museum for a New Gilded Age (opens the publisher’s site in a new tab)
- Architect Inside Diller Scofidio + Renfro’s Broad Museum (opens the publisher’s site in a new tab)
- Cultured Elizabeth Diller Works the Angles (opens the publisher’s site in a new tab)
- Los Angeles Times Review: The New Broad Museum, Though Efficiently Designed, Really Only Comes Alive on the Periphery(opens the publisher’s site in a new tab)
- Los Angeles Times Broad Museum’s Storage ‘Vault’ to Offer Unique Peek Beyond the Exhibits (opens the publisher’s site in a new tab)
- LA Weekly Will Disney Hall and the New Broad Museum Get Along? (opens the publisher’s site in a new tab)
- Los Angeles Times Q&A: Architect Elizabeth Diller on Working with Eli Broad and More (opens the publisher’s site in a new tab)
- New York Times Artifacts | The Veil Lifts (opens the publisher’s site in a new tab)
- New York Times Not All Sweetness in a Honeycomb Museum (opens the publisher’s site in a new tab)
- Los Angeles Times Critic’s Notebook: Broad Museum Design Pointed in the Right Direction (opens the publisher’s site in a new tab)
- Los Angeles Times Critic’s Notebook: Eli Broad and the Diller Scofidio + Renfro Museum Design (opens the publisher’s site in a new tab)