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United States Olympic & Paralympic Museum

United States Olympic & Paralympic Museum

Colorado Springs, Colorado

Located on the border between the Great Plains and the Rocky Mountains, Colorado Springs is a city of extremes. Situated below the dramatic fourteen-thousand-foot ridgeline of Pikes Peak, the city, with its sharp, dry air, has long been a draw for high-altitude training. This is the home of the first ever U.S. Olympic & Paralympic Museum (USOPM), the official site in which the life stories, sacrifices, and achievements of America’s Olympic and Paralympic athletes are presented.

Acting as a catalyst for the formerly industrial edge of downtown Colorado Springs, this new icon builds on the popular appeal of the city’s U.S. Olympic & Paralympic Training Center, just three miles away. The museum structure and its extension, containing a restaurant, retail shops, and educational space, cradle a new public gathering space and frame a dramatic view of Pikes Peak from the primary downtown approach. The building design translates the energy, grace, and dynamic motion of a discus thrower into the centrifugal organization of its programs—galleries, auditorium, and event spaces—which pinwheel around a twisting and light-filled central hall. The building’s fish scale–like skin is made of nine thousand folded diamond-shaped anodized aluminum panels, each unique in shape and size. The shimmering skin flexes over its twisting inner frame, picking up the ever-changing natural light outside.

Within, visitors follow a universally-accessible path, first ascending to the top of the building by elevator and gradually spiraling down through a sequence of loft galleries. The ramped path takes visitors back and forth from the dynamic and introspective atrium through the galleries at the building’s perimeter, each space with a view of Colorado Springs and the mountains. The black-box galleries present the history of the Olympic and Paralympic Games and their athletes, the evolution of sport technology and training, the role of the media, and transformative political events. The system of gentle gallery ramps unites pedestrians and wheelchair users as they traverse the museum together. The building has been lauded as among the most accessible museums in the world. Upon entry, each guest is given a keepsake visitor credential powered by Radio Frequency Identification (RFID) technology, which automatically generates content specific to their accessibility needs, including audio-enhanced video and text-to-speech screen readers.

The USOPM sits along an active rail yard that severs the city from the America the Beautiful Park and a bucolic sixteen-mile pedestrian and cycling greenway. Dubbed the “Rip Curl” for its cresting design, the pedestrian bridge (Park Union Bridge) extends from the museum’s plaza, leaping 250 feet over 14 active train tracks to connect with existing bicycle and pedestrian trails on the other side of the tracks. The stressed-skin structure of the bridge simultaneously acts as an arch and a truss. Forming an asymmetrical portal, it frames the views in both directions. Prefabricated bridge sections were delivered to the site, assembled on the ground, and welded together section by section. Because the bridge had to be installed with an absolute minimum of disruption to national freight train traffic, the now rigid structure was driven fully assembled to the side of the tracks by self-propelled modular transporters and attached to its abutments in a carefully orchestrated process that was completed within an eight-hour window.

Together, the USOPM and the Park Union Bridge welcome a national and international audience, proving that midsize American cities can combine new and existing assets to resuscitate a struggling downtown core.

Project information

Size (GSF)
60,000
Location
Colorado Springs, Colorado, United States
Commission
2014
Groundbreaking
June 2017
Opening
07/30/2020
DS+R role
Design Architect
Program
Auditorium, Cafe Restaurant, Conference Room, Event Space, Exhibition Gallery, Gift Shop, Office, Screening Facility
Keywords
Body, Building, Campus, Civic, Curatorial Editorial, Diplomacy, Food, Glass, Metal, Museum, Nature, Public, Social, Sustainability, Theater
Credits
Partners Benjamin Gilmartin, Elizabeth Diller, Charles Renfro, and Ricardo Scofidio
Project Leaders Holly Deichmann and Anthony Saby
Project Designer Yushiro Okamoto
Project Leader and Sustainability + Ecology Director Sean Gallagher
Designers Ryan Botts, Merica May Jensen, Ning Hiransaroj, Charles Curran, Imani Day, Roberto Mancinelli, Rasmus Tobiasen, Andreas Kostopoulos, Dino Kiratzidis, Emily Vo Nguyen, Jack Solomon, Valeri Limansubroto, and Sanny Ng
External credits
Anderson Mason Dale Architects Architect of Record
Gallagher & Associates Exhibition Designers
Barrie Projects Museum & Content Development
KL&A Inc. in collaboration with Arup Structural Engineer
Kiowa Engineering Corporation Civil Engineer
Jensen Hughes Fire Engineer
The Ballard Group Mechanical & Plumbing Engineer
ME Engineers Electrical Engineer
Arup Acoustics, Audio/Visual, Theater
Ileana Rodriguez Accessibility
Tillotson Design Associates Lighting
NES, Inc. in collaboration with Hargreaves Jones Landscape Architect
Advanced Consulting Engineers Code
Iros Elevator Design Services Vertical Circulation
Dharam Consulting Cost Estimating
Iconergy Energy Modeling
Heitmann & Associates Exterior Energy Consultant
MG McGrath Facade Fabrication
GE Johnson Construction Manager and General Contractor

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